My arrangements

The famous tune "Lilliburlero" (or Lillybollaro), attributed to Henry Purcell (disputed) and here arranged for baroque lute, in D major

The Rondeau from the unfinished opera "Indian Queen" by Herny Purcell for Baroque guitar, in C major, with lower octave bourdon on the 4th course.

From "Pieces de viole, Livre II", the famous rondeau "Les voix humaines", written by Marin Marais for viola da gamba. Arranged for Baroque lute in F major.

From "Terpsichore", the famous piece "Ballet" by Michael Praetorius, with the original diminutions and some others added by myself. Arranged for renaissance lute.

From the Sonata 96 in G major by Silvius Leopold Weiss, transcribed to F major. For baroque lute.

From the "Quatrieme livre de pieces de clavecin" by François Couperin. Arranged for theorbo, in G major.

From "Seconde livre de pieces de clavecin" by François Couperin. Arranged for theorbo, in G major.

From the "Seconde livre de pieces de clavecin", composed by François Couperin. Arranged for theorbo, in G major.

Arrangement of the song "The lass of Peatie's mill", first published in the book Orpheus Caledonius in 1725. Music probably by David Rizzio.
Arranged for theorbo, in D major.

From the comedie-ballet "Le bourgeois gentilhomme" de Jean-Baptiste Lully. Arranged for theorbo, in E minor.

4-part song composed by Michael Praetorius, arranged for 8-course renaissance lute, with some added diminutions, in F.

Chaconne from "Pieces de viole, Livre 1", originally in D major. Transcribed for theorbo, in G major.
Note: Notes in straight brackets are to be played only on the second repetition and notes in curved brackets are to be played only on the first repetition.

Rondeau by Marin Marais, transcribed for theorbo, in E minor